
The Mighty Bosscats
2025

A new tome, released 2025, from the musical boss that is Richard Townend and his Cats of Might. Eleven new self-penned songs, just over forty seven minutes, arranged by him and his peers; Matt and Mark. Impeccable, as always, this time with a few added guests and musical colours in the form of layered brass, cello and a sweet spot of ukulele.
His musical trait and identity is instant, the voices, Richard's voice in particular, the backing vocals too. Let us not forget the trill of Knopfler, another signature sign. The double bass drum and snare motif is strong in form and pervades. Throughout I’m unable to say otherwise “Oh this sounds like so and so” such is the strong musical identity that Richard has, over the years, forged on all fronts, from songwriting, performance and lyrical content/subject; always brave to take on his own personal documentarian take.
Hence stories are told – woven. An attempt at current newsy commentary are the weft. Song titles such as 'World Gone Crazy’, ‘Gulf of America’ and ‘Don’t Let the World Change your Heart’ are indicative; a flag nailed to his mast perchance? The song that references the US is poignant, particularly given recent events, a commentary for current times; sad, and is reflected in the occasional downward chord progression. ‘Don’t Let the World…’ is an upbeat moment, jaunty, a positive musical twist and take.
We come to the last track, the title track, which probably eludes to a ‘standard’ lifetimes gestation, working out at about 76 odd years (I’ve worked it out for you before you ask) give or take. Is this Richard's autobiographical ‘musical’ commentary, a reflective muse no less? A fine closing statement as the final heartbeats are heard ringing out, strong, and then stop.
This album, collection, is often easy on the ears, gentle; I particularly like the lilting ‘Walking in Your Shoes’. The whole is rather un-classable as regards genre, which I think is its strong point and the one reason why this album should and ought to do well, it will (and should) appeal to many. Clever and simple in one broad musical brush stroke. Another rather enjoyable; occasionally thought provoking and heart wrenching and I use the word carefully “classy” release. Not investing could be a perilous decision on your behalf as ‘4000 Weeks’ has not yet passed its ‘Listen by’ date and neither have you!
Trev Turley
Enlightenment The BLOG
[Devoid of AI]