
Yächtley Crëw + Sam Millar
Tuesday 7th July 2026
O2 Academy Islington, London
Before anyone had even struck a note, Yächtley Crëw had made their intentions clear. This was not a night of reimagining Mötley Crüe classics with a Soft-Rock makeover, but a joyous celebration of Yacht Rock, complete with nautical puns, naval attire and enough feel-good AOR to keep the packed O2 Academy Islington smiling throughout.
The American seven-piece sailed confidently through a set packed with familiar favourites, demonstrating just why they have become one of the leading exponents of the genre. Frontman Ian Ward was the evening's focal point, effortlessly switching between vocal styles to suit each artist, whether channelling the smooth delivery of Christopher Cross on 'Ride Like the Wind', the swagger of Toto's 'Hold the Line', or the effortless cool of Steely Dan's 'Reelin' In the Years'. Rather than impersonations, they felt like affectionate tributes delivered with conviction.
The band's sense of humour was never far away. A Kenny Loggins-inspired 'Danger Zone' interlude saw jackets discarded as the stage briefly transformed into the cast of Top Gun, while the mash-up of Michael McDonald's 'I Keep Forgettin' (Every Time You're Near)' and Warren G's 'Regulate' provided an unexpected but hugely entertaining Rap diversion.
Musically, the band were every bit as polished as the comedy suggested. Guitarist Tommy Buoy supplied tasteful solos throughout, while the twin keyboard partnership of Stoney Shores and Matthew McDonald recreated the rich textures that define the era. Meanwhile, saxophonist Pauly Shores proved to be one of the night's highlights during the 'Foreplay/Baker Street' medley, leaving the stage to weave through the audience before climbing onto the bar, turning it into his own personal platform as the famous saxophone melody rang around the venue.
With the audience singing along to favourites including 'Africa', 'You Can Call Me Al', 'Don't Bring Me Down' and 'I'm Still Standing', it was evident that everyone was in on the joke, but equally appreciative of the musicianship behind it.
The encore concluded with a spirited tribute to the late Ozzy Osbourne, as the band launched into 'Crazy Train'. It provided the perfect opportunity for band introductions, a stage selfie and one final communal singalong before a thoroughly entertained crowd drifted out into the warm Summer evening. It was an unexpected but fitting conclusion to an evening that never took itself too seriously, yet delivered first-class entertainment from start to finish.
Review: Ivan De Mello
Photos: Bruce Biege
